William Henry Harrison and the body snatchers

WILLIAM

HENRY

HARRISON

SECRETARY OF THE

NORTHWEST TERRITORY

DELEGATE OF THE NORTHWEST

TERRITORY TO CONGRESS

TERRITORIAL GOVERNOR

OF INDIANA

MEMBER OF CONGRESS FROM

OHIO

OHIO STATE SENATOR

UNITED STATES SENATOR

FROM OHIO

MINISTER TO COLOMBIA

NINTH PRESIDENT OF

THE UNITED STATES

 

ENSIGN OF THE FIRST

UNITED STATES INFANTRY

COMMANDANT

OF FORT WASHINGTON

HERO OF TIPPECANOE

MAJOR GENERAL

IN THE WAR OF 1812

VICTOR OF THE BATTLE

OF THE THAMES

AVENGER OF THE MASSACRE

OF THE RIVER BASIN

 —The text from the front and the back of the William Henry Harrison Tomb

William Henry Harrison Tomb, North Bend, Ohio

In the tiny Ohio town of North Bend, rising high above the Ohio River on Mt. Nebo is the tomb of William Henry Harrison, the 9th President of the United States. The monument, made of Bedford limestone, towering 60 feet high, is a testament to the long military and political career of Harrison.

William Henry Harrison Monument

Harrison was born February 9, 1773, the son of Benjamin Harrison, who was a signer of the Declaration of Independence. He was born into genteel and wealthy Virginia society even though he was depicted by his political enemies as Granny Harrison, the petitcoat general who would rather “sit in his log cabin drinking hard cider” than assume the duties of president. Harrison adopted the log cabin and cider as symbols of his campaign and the slogan “Tippecanoe and Tyler, Too!” Whig Harrison defeated Democrat Martin Van Buren in a lop-sided electoral win—234 to 60, though the popular vote was closer—1,275,390 (52.9%) to 1,128,854 (46.8%). William Henry Harrison has the distinction of having the longest inaugural address (over 8,000 words) and the shortest presidency (lasting a mere 31 days).

William Henry Harrison

The real story in the tomb is not about William Henry Harrison, but instead about his son, John Scott Harrison, who was the only man in United States history to be both the son (his father was William Henry Harrison, 9th President) and the father (his son was Benjamin Harrison, 23rd President) of a president. John Scott Harrison was born in Vincennes, Indiana, on October 4, 1804. Though he studied medicine, he later became a farmer, and was elected to the United States Congress from Ohio. Harrison died on May 25, 1878, in North Bend, Ohio. He was to be buried not in the towering tomb of his father, but in the Congress Green Cemetery just across the road. The cemetery was established by his mother’s (Anna Symmes Harrison) father, John Cleves Symmes. Symmes had dreams of establishng a large frontier city on the very spot where the cemetery now lay.

John Scott Harrison

The Saturday before John Scott died another Harrison relative, Augustus Devin, had been buried in the Congress Green Cemetery. When the funeral party came to John Scott’s grave which was being prepared to receive Harrison, it was noticed that Devin’s grave had been tampered with and his body was missing. Immediately, steps were taken to secure Harrison’s grave from body snatchers. Brothers Benjamin Harrison and John Harrison Jr. watched as their father’s metal casket was lowered into a brick vault. After the casket was secure in the vault, three large stones were cemeted on top to fit a lid for the vault. In addition, the Harrison’s paid a young man to guard the grave for a month after the burial.

At the time, medical schools needed cadavers for study. It was suspected that graverobbers and medical professors collaborated—the graverobbers delivered the dead bodies and the fee was paid and no questions were asked. Because of the practice, John Jr. and his cousin George Eaton went to look for Devin’s body in Cincinnati where it had been rumored that a late night delivery had been made to the Ohio Medical College.

A relunctant janitor showed the John Jr. and Eaton who were accompanied by Constable Lacey, Detective Snelbaker, and a search warrant around the medical school. Finding nothing after a thorough search the four were ready to leave when the detective noticed a rope suspending something down an elevator shaft. When the rope was pulled up, the body of an old man was found, clearly not Devin’s body. The body was laid out on the floor and when the covering over the head of the body was removed, it was John Scott Harrison who had only been buried twenty four hours ealier. A horrified John Jr. Said, “My God, that’s my father!” The men had come to find Augustus Devin and instead found John Scott Harrison.

The body santchers were never found, though, Devin’s body was later discovered at the University of Michigan medical college in a vat of brine. The young night watcheman who had been hired had been derelict in his duties. It seemed he was spoked by being in the cemetery at night and did not complete his watch the first evening when the crypt robbers dug down to the two small stones over the base of the casket where they pried open the vault, cut open the lower part of the lid of the casket and lifted John Scott Harrison by the feet.

After the discovery in the medical school, Harrison’s body was held in the John Strader Mausoleum at Spring Grove Cemetery, in Cincinnati before its re-burial in the William Henry Harrison Tomb.

The inside of the William Henry Harrison Tomb

 

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Empty Chair–Tree-Stump Tombstone

Calvary Cemetery, Decatur, Illinois

Here the tree-stump tombstone is carved into the form of an empty chair.  The chair back and the arms of the chair (one is missing) are formed out of tree branches with the stump forming the base of the chair.  On the back of the chair hangs a man’s hat.  This tombstone depicts a lonely scene.  In funerary symbolism the vacant chair symbolizes the loss of a loved one.

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A lover’s embrace–tree-stump tombstone style

Clover Hill Cemetery, Harrodsburg, Indiana

Above is the tree-stump tombstone of James and Mary Sears, another example of one of many designs found in the tree-stump tombstone motif.  Their marker displays the name “SEARS” at the base to look like the letters were put together from tree branches.  In the bottom of the gravestone ferns cluster at the base. Ferns represent humility, frankness, and sincerity.  In this example they also add to the country feel of this tree-stump tombstone.  Grape clusters, which represent the blood of Christ, and grape leaves grow at the top of the marker where the two halves come together with two limbs like arms twining around each other like a lover’s embrace, representing the love and marriage of the deceased couple.
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Woodmen of the World and the Tree-Stump Gravestone

Fairmont Cemetery, Denver, Colorado

Joseph Cullen Root, a prolific founder, founded four fraternal organizations during his lifetime, one of them being the Modern Woodmen of America (MWA).  MWA was founded on on January 5, 1883.  Root was inspired by a Sunday sermon in Lyons, Iowa. During the sermon the pastor extolled the virtues that came from “woodmen” cutting down the forest to build homes and communities. It was then that Root adopted the term Woodmen for his newly formed organization. The tools to clear those forests were adopted as symbols for the organization at the same time– axe, beetle (mallet) and wedge – symbolizing industry, power and progress. 
 
After Root had a falling out with the Woodmen of America, he founded the Woodmen of the World organization on June 6, 1890, at Omaha, Nebraska. He had been a member of several organizations, including the Odd Fellows, but Root wanted this new organization to be beneficial.  He wanted to make sure that after the death of the breadwinner that the family would be protected through a death benefit payout. 
 
In addition to the life insurance benefits, an early program that lasted until the late 1920s, was to provide a marker for each member upon their death. The influence of that early sermon can be seen in many of the tree-stump tombstones, fitting designs for the Woodmen of the World members, with its imagery the axe, beetle, and wedge.

The tree-stump tombstone is also a physical depiction of the cleared forest.  There are many varieties of what these gravestones look like. 

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Tree-Stump Squirrel

Mitchell Cemetery, Mitchell, Indiana

The Eberle Martin tree-stump tombstone in Mitchell, Indiana, is an unique example of this type of marker because of its bas-relief profile of the deceased at the top.

Many of the tree-stump tombstones are carved to appear as if the bark has been peeled back from the tree, done to create a space for the information to be carved into the stone.  On this tombstone, the backside of the peeled bark has an incised carving of a squirrel.  The furry little rodent is sitting atop of a log holding a nut in his tiny little paws in a prayful pose.  The squirrel is not a commonly seen symbol in the cemetery.  The squirrel here is in a religious meditation and represents spiritual striving.

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Tree-Stump Tombstones

 The rustic movement of the mid-nineteenth century was characterized by designs that were made to look like they were from the country. Elegant and slim curved lines in furniture gave way to bulkier and heavier forms made from pieces that came directly from the trees often with the bark still intact. Homes, cabins, and garden houses were designed in the rustic style eschewing classic designs. In decorative furniture this often took the form of chairs made from rough tree limbs curved to form arms and chair backs, chair legs made from tree roots growing upwards. In cabins, railings and the siding were made from unhewn logs with the bark still in place.

Caretaker's Cottage, Cave Hill Cemetery, Louisville, Kentucky

 

In funerary art, tombstones took on the look of tree stumps. The gravestones were purposefully designed to look like trees that had been cut and left in the cemetery to mark a grave. Most of these tree-stump tombstones were carved from limestone, which is easier to carve, though some are made from marble and even a few from granite. Often, the gravestones were carved to look like rustic furniture. Benches and chairs can be found in many cemeteries. The creativity of the carvers were boundless. Thousands of tree-stump tombstones exist in nearly as many designs.

 

Cemetery Bench, Oak Hill Cemetery, rural Indiana

 

The rustic movement coincided with the rural cemetery movement. The rural cemeteries were often located on the outskirts of town and laid out as a park would be—with broad avenues and winding pathways, featuring picturesque landscaping such as ponds, abundant trees, and shrubs. The tree-stump tombstones were a funerary art contrivance mimicking the natural surroundings of the cemetery. The tree-stump tombstones were most popular for a twenty year-period from about 1885 until about 1905.

Chambersville Cemetery and Mausoleum, Chambersville, Indiana

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Saving Graces, Angel Version

In my very first post, I wrote about the book, Saving Graces, published by W. W. Norton & Company in 1995. In the book, David Robinson has taken pictures of mourning figures from some of the most beautiful and famous cemeteries in Europe, including Pere Lachaise in Paris and Monumentale in Milan.  The photographs in the book show beautiful, young, and voluptuous women often wearing revealing clothing mourning the dead.  Robinson writes that all of the mourning figures he found were women, not angels, no wings.  Robinson writes that women, in fact, carry out the role of grieving and the artists portray this in sculpted marble and cast bronze. 

Robinson identified four categories of ”Saving Graces”–

  1. Women completely overcome by grief, often portrayed as having collapsed and fallen limp on the grave. 
  2. Women who are portrayed reaching up to Heaven as if to try to call their recently lost loved one back to Earth. 
  3. Women who are immobile and grief stricken, often holding their head in their hands distraught with loss. 
  4. The mourning figure who is “resigned with the loss and accepting of death.” 

Not only are there examples of these mourning figures in American cemeteries, but there are also examples of these mourning figures depicted as winged angels. As you can see from the photographs, these figures are full bodied, female angels stricken in grief, just as the statues of the women in Robinson’s book. The difference is that these mourning figures are winged angels.

Chapman H Hymans Mausoleum, Metarie Cemetery, New Orleans, Louisiana

In the sculture above, the elagantly draped angel is distraught with grief and completely overcome, collapsed and limp from sorrow. 

The Brown Mausoleum, Metarie Cemetery, New Orelans, Louisiana

This voluptuos angel is portrayed with her head facing the Heavens.
 

Arthur and Ada Mattingly Mausoleum, Metarie Cemetery, New Orleans, Louisiana

This angel’s downward-looking head is resting on one hand, while the other holds a floral wreath. 

Lawrence and Beverly Macaluso Gravestone, Metarie Cemetery, New Orleans, Louisiana

 The angel looks down with resignation.
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Grape clusters and leaves

Clover Hill Cemetery, Harrodsburg, Indiana

The gravestone above is surrounded by a metal trellis decorated with tinted grape clusters and leaves.  In Christianity the Eucharist, which is part of a religious ceremony also called Holy Communion, is a time when Christ’s followers are to do as Jesus instructed at the Last Supper.  Jesus broke bread and said, “This is my body” and drank wine and said, “This is my blood”.  The grape in cemetery symbolism represents the blood of Christ.
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Gone Fishin

Clover Hill Cemetery, Harrodsburg, Indiana

It is estimated that there are 38 million commercial fishermen worldwide and millions more who are recreational.  The sentiment, “Gone Fishin” is most likely an accurate vision of Heaven for many of them.

Clover Hill Cemetery, Harrodsburg, Indiana

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The Squirrel

Clover Hill Cemetery, Harrodsburg, Indiana

The squirrel is not a commonly seen symbol in the cemetery, even though, the live ones are regular inhabitants.  This intricately carved limestone marker has three squirrels, one on top of the main stone, perched on its haunches, the other two on the base with a stash of acorns.  The symbolism behind the squirrel is a bit confusing.  Some sources say that if the squirrel is holding a nut, it is a sign of religious meditation and spirtual striving.  Other sources say that the squirrel is an animal devoted to the devil, noted by its red color; red–the color of Satan. These squirrels don’t at all look sinister and are most likely in contemplation.  The squirrel in the center, arched back, with its head raised as if looking toward Heaven.

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