Idealized Beauty

DOMENICO CAFFERATA

FATHER

1870 – 1968

MARIA T. CAFFERATA

MOTHER

1878 – 1952

The white marble gravestone for the Cafferata Family in the New St. Joseph’s Cemetery in Cincinnati, Ohio, depicts a mourning figure draped across the top of the stone.  The description of a mourning figure found on a door in the Woodlawn Cemetery in the Bronx and described in Sylvan Cemetery: Architecture Art & Landscape at Woodlawn, is fitting for the Cafferata monument: the “flowing figure of a grieving woman, seen… with drapery slipping down to revel a long and sinuous form, a play of curved and angular contour lines.…Her head is bowed and her face hidden from our view signifying the ravages of grief works on the harmony and beauty of the human face.”

These mourning figures are referred to as “weepers.”  Since ancient times, it has been the women who have been the ones in our families and in our society, who showed grief and shed tears over those lost to death. Like the women in ancient times, these sculpted mourning figures are depicted as standing over the graves in sorrow.  In funerary art the women often are depicted as beautiful, young, and voluptuous women wearing revealing clothing as they mourn the dead.

In David Robinson’s book, Saving Graces, which has been referenced many times in this blog, he describes these figures as “grieving women who signify how deeply the deceased is missed.  As symbolic mourners, their idealized beauty is spiritual, representing purity, passion, and commitment…But these women also serve as escorts on the journey ahead.  As designated companions in eternity, they are posted there to watch over and take care of the deceased.  Forever present, they are also forever young…these women symbolize the aspiration of eternal life, not the acceptance of death.  They may grieve, but they also comfort, and in this role, their beauty is more sensual than spiritual.”  Robinson notes that these mourning figures are “Pure on the one hand, sensual on the other, idealized yet lifelike…a very human combination of spiritual devotion and earthly desire.”

The Victorian “weeper” was usually not voluptuous and often portrayed as androgynous, dressed modestly in a diaphanous gown loosely fitted and flowing beyond her feet.

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2 Responses to Idealized Beauty

  1. Mary Gilbert says:

    Hi, this is Mary Gilbert, and I’m just catching up on my emails.

    Are you still in Cincinnati? If so, I’d be happy to meet you – I am a docent at Spring Grove Cemetery and I’m familiar with many of the numerous cemeteries in the area.

    I’ll be checking my email later this evening – I’m leaving soon to pick up a friend at the airport.

    I hope that I didn’t miss you!

    Mary

    On Sun, Jun 21, 2020 at 8:43 PM Gravely Speaking wrote:

    > gravelyspeaking posted: ” DOMENICO CAFFERATA FATHER 1870 – 1968 MARIA T. > CAFFERATA MOTHER 1878 – 1952 The white marble gravestone for the Cafferata > Family in the New St. Joseph’s Cemetery in Cincinnati, Ohio, depicts a > mourning figure draped across the top of the stone. T” >

  2. gsb03632 says:

    Thanks for this, which is really striking. But perplexing, too! She looks like she was carved somewhere between 1910 and 1920, give or take, but the death dates are in the 50s amd 60s. Maybe they bought it pre-need, as they say? Are the inscriptions on the other side from the picture? Maybe they had the surname and weeper on the principal side, and added their appropriate dates on the other side as needed.

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