Monumental Designs

Brenda Putnam (1890-1975), was a well-known 20th Century sculptor born in Minneapolis, Minnesota. She had impeccable training having studied at the School of the Museum of Fine Arts in Boston.  Putnam also studied with the famed artist, James Earle Fraser, at the Art Students League of New York, as well as, studying at the Corcoran Museum Art School in Washington, D. C.

Putnam initially gained notoriety creating busts of children and sculptures for gardens. But her sculptures brought her notice and soon she was creating sculptures of famed Americans, such as, Admiral Ernest Joseph King, Jane Addams, Amelia Earhart, Pablo Casals, Mary Baker Eddy, and Harriet Beecher Stowe.  Putnam produced the artwork for the Moses Cleveland Centennial half dollar and the Art Deco sculpture of Puck for the Folger Shakespeare in Washington, D. C.

Like many great artists, such as, Daniel Chester French, Augustus Saint-Gaudens, Aldabert Volck, Felix Weihs de Weldon, Karl Bitter, Martin Milmore, Alexander Milne Calder, T. M. Brady, Albin Polasek, Mario Korbel, Harriet Whitney Frishmuth, William Wetmore Story, Edward V. Valentine, Nellie Walker, Lorado Taft, James Earle Fraser, Edward Virginius Valentine, Sally James Farnham, Adolph Alexander Weinman, Solon Borglum, John Gutzon Borglum, Mary Theresa Hart, William Ordway Partridge, Lee Oscar Lawrie, Jules Dechin, Pietro Lazzari, J. Perrin, Jeptha Barnard “Barney” Bright, Jr., Robert Koepnick, Robert Ingersoll Aiken, and Jay Hall Carpenter, Putnam also sculpted several noted funerary works, including the Simon Memorial (1918), the Porter Angel (the stone 1890s angel replaced with a bronze, 1931–32), and the Morton Memorial (1943).





“There is no Death”


Anne Simon (1870-1916) was a talented artist who expressed her creativity through poetry and prose writing. She was an accomplished pianist, too. In fact. The morning of her death she performed in an instrumental trio.

After her death, her husband Otto Torney Simon wrote a book, The Message, the text of which he claimed he received from Anne after her death. The book published in 1920 and was titled, The Message of Anne Simon. Part of her epitaph, “A SOUL WHOSE EYES WERE KEENER THAN THE SUN, A SOUL WHOSE WINGS WERE WIDER THAN THE WORLD” is in the foreword to the book. The last cryptic line of her epitaph, “There is no Death” is also from the book written after her death. On page 26, Otto writes, “There is identity here! You will know me. And give the message: There is no Death, but there is Life, a new Life, which mortals will understand when they know love. The veil is thin (use gossamer; it is beautiful). Love will rend even this…Give this message!

The symbolism of the angel carved by Putnam for Simon’s gravesite was described, “…with wide flung hands and upward gaze symbolizes liberation of our faculties and our abilities, the enfranchisement of the soul released by the kindly gift of Death.



1840 – 1941

Putnam also sculpted a replacement angel for a monument in the Allegheny Cemetery in Pittsburg, Pennsylvania, for Henry Kirke Porter and his family. Porter had a brief stint in the 45th Regiment, Massachusetts Volunteer Militia during the Civil War.  After, he had a distinguished career as an industrialist manufacturing light locomotives.  He also served a term as a US Congressman. But Porter is most remembered for his philanthropic work. He was one of the founders of the Young Men’s Christian Association (Y.M.C.A.) and served as the president of the Pittsburgh Y.M.C.A. from 1868 to 1887.   He served on various other community and international boards, as well, including, the Pittsburgh Chamber of Commerce, the Western Pennsylvania Institute for the Blind, the International Committee of the Y.M.C.A., the Carnegie Institute, the Crozier Theological Seminary, and as a member of the Board of Fellows of Brown University.

The original angel that was sculpted for the Porter Family plot was damaged and Putnam created the bronze replacement.  The angel is a classic example of mourning figures found in cemeteries—head bent down in grief, wide wing span, and draped gown.  The angel is one of the most visited sculptures in the cemetery.


The Morton Memorial was created as a monument for the Spring Hill Cemetery, in Lynchburg, Virginia.  The limestone memorial depicts three allegorical figures representing—Fortitude, Vision, and Kindliness.  It was completed and installed in 1945.  Inscribed on the base of the monument, “THIS MEMORIAL, GIFT OF ROSALIE SLAUGHTER MORTON MD, IS A TRIBUTE TO THE SONS AND DAUGHTERS OF OUR CITY OF THE HILLS.”  The memorial was sculpted by Brenda Putnam.


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