Fallen Doughboy

 

Green-Wood Cemetery, Brooklyn, New York

Green-Wood Cemetery, Brooklyn, New York

JOSEPH QUADRI

HE BRAVELY GAVE HIS LIFE

FOR THE CAUSE OF HIS COUNTRY

BORN DEC 28, 1896 DIED OCT 2, 1918

Private Joseph Quadri of Brooklyn was killed in World War I.  His body was transported to the United States on the transport ship Princess Matoika along with 417 of his fellow fallen comrades in arms and ten fallen nurses.

The gravestone marking his grave features a mourning figure bent in despair and sorrow looking at the image of a doughboy, possibly in the likeness of Private Quadri. The willow motif on this gravestone is not unusual; in fact, the willow is one of the most common symbols found in American cemeteries. What makes this willow special is that it is carved in a three dimensional form draping the top of the stone in willow branches making for a dramatic memorial.

The secular meaning of the willow symbolism represents what one might expect; sorrow and grief, it is after all a “weeping” willow. However, in Christian symbolism, the willow represents immortality because of the tree’s ability to shed so many limbs and survive.

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Exedra, etc.

Sleepy Hollow Cemetery, Sleepy Hollow, New York

Sleepy Hollow Cemetery, Sleepy Hollow, New York

An exedra is a semi-circular structure, often with a bench with a high back. Sometimes there is an architectural feature in the center of the exedra, often with statuary or the family name.  In this example, the doric columns and the pediment add to the classical feel of the design, fitting for a contrivance that is classical in origin.

Originally the exedra was designed in antiquity to facilitate philosophical discussion and debate. In cemetery architecture the exedra is usually part of a landscape design.

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Exedra

Green-Wood Cemetery, Brooklyn, New York

Green-Wood Cemetery, Brooklyn, New York

Conrad Stubenbord  Nov. 23, 1848 July 22, 1913

Ernestine Stubenbord Sept 12, 1847 Dec 21, 1936

The Stubenbord-Sutherland rose-colored polished granite monument in the Green-Wood Cemetery at Brooklyn, New York, is an example of an exedra.  An exedra is a semi-circular structure, often with a bench with a high back. This type of classical architectural device was designed in antiquity to facilitate philosophical discussion and debate. In cemetery architecture the exedra is usually part of a landscape design.

This monument also has a mourning figure sitting in the exedra, holding a sprig of ivy, a symbol of fidelity and immortality.  On the corners of the exedra in bronze insets are inverted torches. The flames coming from the bottom of the torches are symbolic of the soul. Here the inverted torches represent a life that has been extinguished.  The other bronze insets feature palm leaves a common symbol of victory over death.

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The Caldwell Sisters of Louisville

Cave Hill Cemetery, Louisville, Kentucky

Cave Hill Cemetery, Louisville, Kentucky

Mary Elizabeth Breckenridge Caldwell—Baroness Von Zedtwitz

December 26, 1865—December 16, 1910 

Mary Guendaline Byrd Caldwell—Marquise Des Monstiers Merinville

October 21, 1863—October 5, 1909

“Know the truth and the truth shall make you free”

Positioned at the center of an exedra in Section 13 of the Cave Hill Cemetery at Louisville, Kentucky, stands two Greek marble statues.  An exedra is a semi-circular structure, often with a bench with a high back.  This type of classical architectural device was designed in antiquity to facilitate philosophical discussion and debate.  In cemetery architecture the exedra is usually part of a landscape design.  Here it adds to the classical design of the Caldwell monument that has as its focal point, two classical statues.

The portrait statues are of Mary Elizabeth Breckenridge and Mary Guendaline Byrd Caldwell, daughters of William Shakespeare Caldwell who made his fortune building and operating gas plants throughout the Midwest.

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Both daughters married titled European aristocrats.  Mary Guendaline was first engaged to the Prince Joachim Murat, the grandson of the King of Naples, who was not only twice her age but an invalid.  The engagement went awry when the couple could not agree on how much of Miss Caldwell’s fortune was to be given to the Prince.

The heiress’ wedding announcement was reported in newspapers from around the country including The Saint Paul Globe, Tuesday, on October 20, 1896, with the headline, MARRIED IN FRANCE: Titled Gathered in by a Well-Known American Woman, (spellings are as they appear in the article) Paris, Oct. 19—Miss Mary Gwendolin Caldwell founder of the divinity school of the Catholic university at Washington, D. C. was married today at St. Joseph’s church, Avenue Hoche, this city, to the Marquis des Monstriers-Merenville.  Bishop Spaulding, of Peoria, Ill., the guardian and administrator of the estate of Miss Caldwell, assisted by Father Cooke, officiated.  Punctually at noon the pair entered the church and occupied seats beneath a canopy of flowers.  After a complimentary address, Bishop Spaulding performed the marriage ceremony, which was followed by a mass, celebrated by the Chanoene Father Dufort, superior of St. Phillippe de Roula a friend of the bridegroom.  The music was superb.  The witnesses for the groom were Counts Henri and Pierre Des Monstreiers-Merenville, and the bride’s witnesses were Mr. John Carter and Bishop Spaulding.  Among the guests presents were the duke and duchess Doudeaville, the marquis and marquise de Dimecourt, the Court de Turenne and the marquis de Vogne.

The Marquise’ health declined and the couple separated.  She suffered from paralysis and was unable even to speak only communicating through writing. The Marquise des Monstiers died aboard the German ocean liner Kronprinessin Cecile in her stateroom on her way to America.

The New York Sun, October 6, 1909, headline and story told the story:

MARQUISE DIES ON LINER SHE HAD HOPED TO REACH AMERICA BEFORE END CAME: The Marquise Monstiers-Merenville Was Miss Caldwell of Kentucky—She Got The Order of the Rose From Pope Leo XIII., but Later Renounced the Church.

When the North German Lloyd liner Kronprinzessin Cecilie was within sight of Sandy Hook early yesterday morning one of her most distinguished passengers, the Marquise des Monstiers-Merinville who had expressed a wish to die on American soil when she boarded the liner on the other side, breathed her last in the presence of her private physician: Dr. R. Ohle, the ship’s surgeon; her secretary, an Italian courier and three nurses.  She had requested all of them to be with her at the end.

            She had hoped when she sailed that she would arrive here well enough to see her old physician, Dr. Allen Starr, and some of her friends.  The Kronprinzessin Cecille made one of the fastest trips in her history, beating all German records for a day’s run by reeling off 604 miles on the day before the Marquise died, but the special effort of her commander to bring in the Marquise alive failed by about six hours.

            The Marquise was originally Mary Gwendolin Caldwell and she attracted public notice about twenty years ago by her engagement to Prince Murat, grandson of the King of Naples.  The engagement was broken because she refused to settle on him half her fortune then estimated at about $2,000,000.  Her father, William Shakespeare Caldwell made his money building gas works.

            The Marquise was born in Kentucky and was of Breckinridge stock.  She and her sister, Lina Caldwell, who married the Baron von Zedwitz, were educated at the Convent of the Sacred Heart at Manhattanville.  Her father, who was originally a Protestant, had been converted to Catholicism by Archbishop Spalding.  The father left all his fortune to the girls, entrusting it to the care of Bishop Spalding of Peoria, Ill., a relative of the Archbishop.

            The Marquise donated $300,000 to found the Catholic University at Washington, giving eighty-eight acres of land on the outskirts of the city and erecting three of the university’s largest buildings.  Her interest in the Church inspired Pope Leo XIII to confer on her the Order of the Rose, a distinction never before given to a woman.

            She was married in Paris on October 19, 1896, to the Marquis des Monstiers-Merinville by Bishop Spalding.  The union brought unhappiness to her and she separated from her hsuband after her health had broken down.  She became paralyzed below the waist and partially blind and deaf.

            In 1904 before these afflictions came she renounced the Church and published a statement about her decision that caused a sensation in Catholic circles.  In December 1904, and effort was made to have her reconsider her renunciation, the Pope receiving her in special audience, but she did not change her decision.  At her request the trustees of the university removed her portrait from the wall of the main parlor of Divinity or Caldwell Hall and sent it to her home.  The portrait of Cardinal Martinelli was hung in its place.  The Marquise’s friends said she did not embrace any other faith after she gave up the Catholic Church.  She asked for not priest or minister before she died.

            The Baroness von Zedwitz, who is a widow, her husband having been killed in 1896 in a coalition between his yacht and that of the Emperor William, was notified of the Marquise’s death.  Word was also sent to the Marquis, who is living in Paris.  The Marquise was 48 years of age.

Mary Elizabeth Breckenridge Caldwell married the German nobleman and diplomat, Baron von Zedtwitz (1851-1896).  Baron von Zedtwitz served his country as secretary to the Russian, then American embassies.  He then served as Minister to Mexico.  He died in a tragic yachting accident at the Royal Albert Regatta when his yacht, the Isolde, collided with German Emperor Wilhelm’s yacht the Meteor leaving the Baroness a widow.

The New York paper announced the death of Elizabeth Caldwell:

Baroness Von Zedtwitz Dead.

News reached this city yesterday that the Baroness von Zedtwitz, who was formerly Miss Elizabeth Caldwell of Louisville, Ky., died on Dec. 16 from heart disease at the Carlton Hotel, Frankfort, Germany, at the age of 43.

Once distinguished for her lavish gifts to the Roman Catholic Church, the Baroness von Zedwitz achieved even more prominence six years ago by writing a book attacking it.

She was the daughter of William Shakespeare Caldwell, a wealthy resident of Louisville, who had originally been a Protestant, but who had been converted to Catholicism.  Both Mary Elizabeth and her sister, Gwendolyn Caldwell, were brought up in the latter faith.  Both girls inherited several millions from their father, and for years gave large sums for the erection of Catholic institutions.  Fourteen years ago Mary Elizabeth married Baron von Zedtwitz, a member of the German Diplomatic Corps at Washington.  The Baron immediately, after the marriage, was appointed the German Minister to Mexico.  Within a year after the marriage, however, he was killed by the fall of the mast of his private yacht, the Isolde, which came into collision with the yacht Meteor off Southsea.

            The Baroness, after her husband’s death, gave still more lavishly to Catholic institutions.  She had residences in New port and Louisville, but she spent most of her time abroad.  In 1904, greatly to the surprise of her friends, she announced her intention of renouncing Catholicism.  Her reasons were afterward published in a book entitled “The Double Doctrine of the Church of Rome.”  Her sister, who shared her views and had become the Marquise Monstiers-Merinville, died last October.  The Baroness leaves a fourteen-year-old son, Waldemar Zedtwitz.  She will probably be buried in Louisville.

The Caldwell sisters are depicted in classical clothing giving them a regal appearance.  The patina of the marble makes the statues look translucent, almost as if light is emanating from within.  The monument was erected between 1910 and 1912 by the Harrison Granite Company of New York City and the statues were designed and executed by famed London artist and sculptor Gilbert Bayes (1872-1953).  Bayes was associated with the British New Sculpture Movement which had architectural sculpture as its main focus, though; he is most likely best remembered for his association with the Royal Doulton Company and for his stint as President of the Royal British Society of Sculptors (1939-1944).

Destiny, sculpted by Gilbert Bayes, a war memorial at Albion Gardens, Ramsgate, Kent, England

Destiny, sculpted by Gilbert Bayes, a war memorial at Albion Gardens, Ramsgate, Kent, England

 

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Winged Cherub’s Head

Forest Lawn Cemetery, Buffalo, New York

Forest Lawn Cemetery, Buffalo, New York

The bronze gravestone of Harry Albright is adorned by a winged cherub.  The patina on the cherub’s face gives the image an almost haunting look.  The winged cherub was a symbol that became popular in the 18th Century.  Winged cherubs replaced the stark and morbid flying death’s heads from our Puritan forefathers.  The cherubs have a childlike countenance of innocence.  The iconography represents the flight of the soul from the body upward to Heaven and the hope of the resurrection.

HARRY ALBRIGHT

SON OF

JOHN JOSEPH ALBRIGHT

AND

HARRIET ALBRIGHT

BORN JUNE 22, 1874

DIED SEPTEMBER 3, 1874

Forest Lawn Cemetery, Buffalo, New York

Forest Lawn Cemetery, Buffalo, New York

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Oval Chest Tomb

Christ Church Burial Ground, Philadelphia, Pennsylvania

Christ Church Burial Ground, Philadelphia, Pennsylvania

Chest tombs which were common in 19th Century American graveyards were also referred to as false crypts because the coffin was not inside the chest tomb, but buried underneath underground.  This chest tomb is not in the traditional box-shaped false crypt but an oval.  As the chest tombs to the right show, they were constructed of many different materials, shapes, and sizes.

Sacred to Friendship

This tomb is erected to

the memory of

KATHERINE INGLIS

Who departed this life

July the 10th 1821

Aged 71 years.

And to

MARGARET McCALL

Who departed this life

March 22nd 1824

Aged seventy years.

United through life.  United in the grave.

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Chest Tomb

Vasco de Gama's Tomb at Lison, Portugal

Vasco de Gama’s Tomb at Lison, Portugal

Chest tombs were first popularized in Europe.  The tombs resembled a chest or trunk, often with an effigy of the deceased lying in repose on top.  The Tomb of Vasco de Gama (c.1460-1524) buried at the Monastery of Jeronimos at Lisbon, Portugal, is an example of this type of tomb.  The great navigator is shown in effigy in a prayerful position on top of the embelished chest tomb–ornamented with a sailing ship, his vehicle to fame.

Chest tombs are fairly common in 19th Century American graveyards but were built without the effigy.  They were also referred to as false crypts because the coffin was not inside the chest tomb, but buried underneath underground.  The example in the photograph below is from the Greenwood Cemetery at Franklin, Tennessee.  The tomb marks the grave of Jane Knox Polk, the Mother of President James Knox Polk.

Greenwood Cemetery, Franklin, Tennessee

Greenwood Cemetery, Franklin, Tennessee

 

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The Sarcophagus Tomb

Green-Wood Cemetery, Brooklyn New York

Green-Wood Cemetery, Brooklyn New York

Sarcophagus tombs are designed to look like coffins.  Most often they are set on a platform or a base.  The tomb is often embellished with ornamentation and nearly always has feet–but the “coffin” is empty–just an empty symbol of the receptacle.  This style of burial monument is ancient.

Green-Wood Cemetery, Brooklyn, New York

Green-Wood Cemetery, Brooklyn, New York

The word, sarcophagus, is derived from two ancient Greek words, sarx, which meant flesh and phagein meaning to eat.  The two words together, sarkophagus, meant flesh eating.  The term came from the limestone used by the ancient Greeks to bury the dead which was thought to decompose the flesh of the deceased.

Green-Wood Cemetery, Brooklyn, New York

Green-Wood Cemetery, Brooklyn, New York

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Venetian Gothic

Cave Hill Cemetery, Louisville, Kentucky

Cave Hill Cemetery, Louisville, Kentucky

With the exception of the ornamentation on the top of the Spotts Mausoleum, two nearly identical mausoleums, one in the Cave Hill Cemetery at Louisville, Kentucky, and the other in the Mt. Olivet Cemetery at Nashville, Tennessee, were designed and built in the Venetian Gothic style.

Owner of the St. Nicholas Hotel and Steamboat Captain Harry Innes Spotts was laid to rest in a mausoleum (above) designed by John Baird (1820-1894) who was the proprietor of the Steam Marble Works at Philadelphia which cut marble with steam power.   Baird’s shop gave customers standard designs to pick from.  Daniel Franklin Carter (1808-1874), a prominent Nashville banker, was buried in a mausoleum in the Mt. Olivet Cemetery at Nashville, Tennessee.

Both mausoleums are designed in the Venetian Gothic style.  Venetian Gothic architecture combined several architectural styles—Moorish, Gothic, and Byzantine—into a single style reminiscent of the building designs that brought a confluence of cultures together to create a flourish and lightness to the canals of Venice.  During the Victorian era, several architects drew from the Venetians for creative building designs that was part of a larger revival that intertwined several styles into one pleasing to the eye.

When the Spotts Mausoleum was erected in the Cave Hill Cemetery the local newspaper, the October 14, 1866 issue of the Louisville Daily Democrat wrote, “It is of Moorish style architecture…this mausoleum is one of the most permanent and tasteful structures yet erected in our far-famed ‘city of the dead.'”

Mt. Olivet Cemetery, Nashville, Tennessee

Mt. Olivet Cemetery, Nashville, Tennessee

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The Crown

Cave Hill Cemetery, Louisville, Kentucky

Cave Hill Cemetery, Louisville, Kentucky

The crown on the gray granite block gravestone of Cornelia McDonald in the Cave Hill Cemetery at Louisville, Kentucky, represents victory.  The crown is a symbol of glory and reward and victory over death.  The reward comes after life and the hard-fought battle on Earth against the wages of sin and the temptations of the flesh.  The reward awaits in Heaven where the victor will receive a crown of victory.

The crwon also represents the sovereign authority of the Lord.

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