“White Bronze”

River View Cemetery, Portland, Oregon

The Monumental Bronze Company of Bridgeport, Connecticut, produced what was billed as white bronze cemetery markers from the 1870s until 1912.  The markers are distinguished by their bluish-gray tint.  The markers are not bronze but actually cast zinc.  The zinc is resistant to corrosion but the zinc becomes brittle over time and cracking and shrinking can occur.

These grave markers came in a wide assortment of sizes and shapes and were somewhat like grave marker erector sets.  The more elaborate markers had a shell of sorts and then various panels could be attached according to the tastes of the family ordering the grave marker.  In this way, each marker could be “customized” to the tastes of the individual.  The markers were designed to look like traditional markers and from a distance, except for the tale tale bluish-gray color, they do.  The markers come in many of the shapes and sizes of gravestones that were popular during that time period.  In this example the base is cast to look like rough stone.

This marker has one of the side panels missing. The side panels were affixed with screws in the corner of the opening.

This photograph shows the inside of the marker, the frame, the side panels attached, and the hollow interior.

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Lily of the Valley

Greenbush Cemetery, Lafayette, Indiana

On the back of this bluish-gray marker in the Greenbush Cemetery at Lafayette, Indiana, a delicate hand holds a lily of the valley sprig.

The lily of the valley is much like other lilies in funerary art as a symbol of innocence. It also symbolizes happiness, purity, and humility.

HIER RUHT

KATHARINA

WURSTER FRAU

VON

FRIEDRICH

REULE

Greenbush Cemetery, Lafayette, Indiana

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Shock of Wheat

Green-Wood Cemetery, Brooklyn, New York

Carved on top of this white marble monument for Herman and Elizabeth Aldrich in the Green-Wood Cemetery at Brooklyn, New York, is a great shock of wheat. Wheat’s origins are unknown but is the basis of basic food and a staple in many cultures. Because of wheat’s exalted position as a mainstay foodstuff, it is viewed as a gift from Heaven.

Wheat symbolizes immortality and resurrection.  But, like many symbols found on gravestones, they can have more than one meaning.  For instance, because wheat is the main ingredient of bread, the sheaf of wheat can represent the Body of Christ.  Wheat can also represent a long life, usually more than three score and ten, or seventy years.  In this particular case both Herman and Elizabeth lived a long life, well past 70.

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President Millard Fillmore

Forest Lawn Cemetery, Buffalo, New York

When John Tyler became the president after the death of William Henry Harrison, he was referred to by the political wags of the day as “His Accidency.”  Millard Fillmore was the second president to ascend to the office upon the death of a president, though, he was not so dubbed.

Fillmore was an influential politician in Buffalo and New York.  In Buffalo, he co-founded the Univerisity at Buffalo and helped found the Buffalo Historical Society, as well as the Buffalo General Hospital.    Fillmore served in Congress representing his district in New York State and later was elected as the state’s first comptroller.

At the Whig Convention in 1848, Millard Fillmore were nominated to run for Vice President.  On the top of the ballot was the famous General Zachary Taylor.  They won.  Two years later, President Taylor died as a result of eating a bad bowl of cherries and sour milk and the ensuing medical treatment.  Fillmore assumed the presidency on July 9, 1850 and served until the end of the term in 1853.  This did not end his political career, he was nominated for the presidency in 1856, just three short years later, on the American Know Nothing Party ticket but came in third.  Though, Fillmore only carried the state of Maryland, the ticket garnered 21.6% of the popular vote, which still represents a highwater mark in third party politcs.

Millard Fillmore died on March 8, 1874 after having suffered a stroke.  He was buried on a plot in the Forest Lawn Cemetery at Buffalo, which he chose.  He grave is marked with a rose-colored granite obelisk.  The placque on the fence surrounding his grave reads:

In Memory

Of

MILLARD FILLMORE

13th President of the

United States of America

Born January 7, 1800—Died March 8, 1874

Dedicated by the Millard Fillmore Republican Woman’s Club

Memorial Day, May 30, 1932

Forest Lawn Cemetery, Buffalo, New York

The two obelisks in the picture to the right mark the graves of Millard Fillmore’s law partners Nathan Hall and Solomon Haven, mirroring the law firm’s stationery–Fillmore, Hall, and Haven.

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Tree-stump gravestone: Fireman

Forest Home Cemetery, Forest Park, Illinois

Tree stump tombstones, generally carved from limestone, were a part of the rustic movement of the mid-nineteenth century which was characterized by designs that were made to look like they were from the country. The gravestones are purposefully designed to look like trees that had been cut and left in the cemetery which was part of the movement to build cemeteries to look like parks.  In funerary art, the tree-stump tombstones were varied—the stonecutters displayed a wide variety of carving that often reflected individual tastes and interests of the persons memorialized.

The tree-stump gravestones themselves were imbued with symbolism. The short tree stump usually marks the grave of a person who died young—a life that had been “cut” short.  In this example, Jacob Straman is just 32 years old.  His scroll, which can symbolize the Law or the Word of God, displays his name and birth and death date and the names of two others in his family–Rose and Myrtle.

Sitting atop the tree is a fireman’s hat indicating Jacob’s profession but not the entire story.  Jacob was killed in the line of duty.  He had been called to fight a grain elevator fire.  Shortly after he arrived there was an explosion and part of the elevator collapsed, falling on Jacob and trapping him.  The other firefighters could not reach him because of the intense fire and he died that night.  His ashes were given to his wife, Rose.  The fireman’s hat commerates Jacob Straman’s service in the fire department and memorializes the life he lost in the line of duty.

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Grant’s Tomb, part 2

Grant’s Tomb was dedicated on April 27th, 1897, President Grant’s 75th anniversary of his birth.  His mausoleum was to be the centerpiece of Riverside Park.  For many years it was a gathering place.  But by the 1970s the tomb had fallen into disrepair.  The monument had been vandalized and was painted with graffiti.

One of two reliquary rooms that display battle flags from the Civil War. The murals on the walls that show the battles in which General Grant fought were restored.

Congress allocated the funds to restore the monument in 1994 and by 1997 the restoration of the tomb had been completed and it was rededicated.

In 1968, The Rolling Bench, designed by artist Pedro Silva and architect Phillip Danzig was built by hundreds of children who lived in the area under the direction of Silva and surrounds the tomb on three sides. The bench, a Gaudi-esque design, was criticized for its incongruity with the Neo-classical monument. The Rolling Bench was restored in 2008.

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Grant’s Tomb

Grant’s Tomb, Riverside Park, New York City

President Ulysses S. Grant died of throat cancer July 23, 1885, only 4 days after he finished writing his memoirs, Personal Memoirs of Ulysses S. Grant.  He was mired in debt from financial catastrophes and bad investments, but Mark Twain’s publishing company sold over 350,000 copies of Grant’s two-volume book set which brought his widow, Julia Dent Grant, out of debt and into prosperity.

Grant’s presidency was marred by one scandal after another, though, Grant was never personally implicated.  In spite of that, when he died, Grant was a national hero and one of the most beloved Americans of his day.

Upon his death, his wife made the decision that President Grant would be buried in New York City.  Almost immediately fundraising efforts began.  Soon after a design competition was won by architect John Hemenway Duncan, who designed a towering mausoleum with the exterior modeled after the tomb of King Mausolus, for which the term mausoleum derives.  The mausoleum is one of the largest in North America.  It was built with 8,000 tons of light gray granite.  The tomb symbolically faces South.

Grant’s only wish regarding his death was that he be buried next to his wife Julia.  The twin red-granite coffins containing President and Mrs. Grant can be seen from the circular gallery inside the memorial.

Two large sculptures of eagles flank the entrance to the tomb resting on large blocks that have four stars carved on them denoting Grant’s 4-star ranking.

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The Inverted Torch

Union Cemetery, St. Clairsville, Ohio

The tombstones in these two photos are both taken in the Union Cemetery at St. Clairsville, Ohio.  In both cases, the tombstones display elaborately carved figures leaning on an inverted torch.

In the example above, a chubby baby boy sits atop a pile of rocks with a scroll at his feet.  The baby leans against the torch with the flames swirling from the bottom. The soft white marble gravestone is eroded and covered with lichens and the inscription is difficult to read, except for his name, “WILL” which is displayed on the scroll and “EVANS” which appears on the base.

The angel in the photograph below looks downward with an almost wistful expression as she leans against the torch, the flames curling at its base.   The beautifully carved sculpture marks the graves of Richard and Mary Riley, both of whom died in the 1880s.

In both cases, the flame is symbolic of the soul.  The inverted torch represents a life that has been extinguished.

Union Cemetery, St. Clairsville, Ohio

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A Poem

Because I Could Not Stop For Death, by Emily Dickinson

 

Because I could not stop for Death,

He kindly stopped for me;

The carriage held but just ourselves

And Immortality.

 

We slowly drove away, he knew no haste,

And I put away

My labor, and my leisure too,

For his civility.

 

We passed the school where children strove

At recess, in the ring;

We passed the fields of gazing grain,

We passed the setting sun.

 

Or rather, he passed us;

The dews grew quivering and chill;

For only gossamer, my gown;

My tippet, only tulle.

 

We paused before a house that seemed

A swelling of the ground;

The roof was scarely visable,

The cornice in the ground.

 

Since then ’tis centuries; and yet

Feels shorter than the day

I first surmised the horses’ heads

Were toward eternity.

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Among the Dead

Old Dutch Church Burying Ground, Sleepy Hollow, New York

The Old Dutch Church Burying Ground in Sleepy Hollow, New York, is one of the oldest graveyards in America.  Though it was established in 1685, some say that the first burials were much earlier than that.  The cemetery has many examples of gravestones carved out of red sandstone, like the gravestone of Susanna Paulding.  Her gravestone is embellished with a winged face wearing a crown.  The winged face represents the flight of the soul after death.  The crown in this case most likely represents victory over death.  Her epitaph is interesting because it implies while she is among the dead, she is not one of them–she is merely resting.

In Memory of

Susanna Paulding, sen.

who died Nov.r 13th

AD 1790.

Aged Years 8 Months

and 28 Days

Suffic’d with life

My spirits fled,

And I’m at rest

Among the dead.

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