Anchor Cross

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SALLIE M.

Daughter of

Wm. M. & JUDITH A.

DISMUKES

Born

March 18, 1842

Died

May 10, 1864

Aged

22 Y’rs. 2 Mo’s & Days

Not dead but sleepeth.

On this plain rounded-top white marble tablet in the Springhill Cemetery at Nashville, Tennessee, the anchor cross is carved into the oval inset at the top of the gravestone. The anchor cross is an ancient Christian symbol that has been found in catacomb burials as early as the First Century and as late as the Third Century.  Romans persecuted early Christians—feeding them to the lions, forcing them battle to the death in the arenas, or burning them at the stake. The Christians who hid in the catacombs and practiced their religion in secret left messages of hope carved next to the anchor cross symbols.  In this way, the anchor was used by early Christians as a disguised cross.

Some Church historians believe that the anchor cross was adopted when Emperor Trajan had Saint Clement tied to an anchor and thrown into the sea for proselytizing and converting Romans to Christianity. Others believe it was a clever way to disguise the most Christian of symbols—the cross.

Over time, the anchor served as a symbol of Christ and his anchoring influence in the lives of Christians.  Just as an anchor does not let a moored boat drift, the anchoring influence of Christ does not allow the Christian life to drift. The anchor cross is also called the Mariner’s Cross. It is viewed as a symbol of hope. It can also represent a “fresh start”.

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The Russian Cross

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The Russian Cross, marking the grave of Michael Boyer 1867 – 1953 in the Lakeside Cemetery at Erie, Pennsylvania, is also known as the Orthodox Cross, the Byzantine Cross, and the Suppedaneum Cross. The features that distinguish the Russian Cross from the Latin Cross are that it has three horizontal crossbeams instead of one.

The top crossbeam originated from the Greek tradition that says that Pontius Pilate nailed it to the top of the cross above Jesus Christ’s head with the message, “King of the Jews.”

Jesus was nailed to the second crossbeam.

The third crossbeam which is pitched upward to the right by tradition is where those hanging on a cross would have rested their feet. In this representation of the cross, however, the crossbeam rises to the right. There are two competing theories about why that is. One theory suggests that it points upward toward Heaven, while the left side points downward toward Hell. Most believe that the footrest points to the right to where St. Dismas, the thief hanging next to Christ was, who confessed and asked for forgiveness. On the left side was the unrepentant Gestas.

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The Cross and the Crown

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SABRINA A. TAYLOR 1815 – 1882

MOTHER OF L.M. TAYLOR, M.D.

GEORGE WM. AND WALTER ORR

INFANT CHILDREN OF L.M. AND ROSE M. TAYLOR

MARIE JOSEPHINE TAYLOR

BORN MAY 16, 1873 – DIED MARCH 19, 1927

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A cross with a crown sitting on top of it tops the large gray granite Taylor Family monument in the Rock Creek Churchyard Cemetery at Washington, D. C. The crown is a symbol of glory and victory over death.  The reward awaits in Heaven where the victor will receive a crown of victory. The cross represents the suffering of Jesus.

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The Latin Cross

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CHRISTINE WILLIAMS BIDDLE

Born August 28, 1860

Died January 24, 1944

The plain white marble Latin cross marks the grave of Christine Williams Biddle in the Laurel Hill Cemetery at Philadelphia, Pennsylvania. The Latin cross is universally recognized as the symbol of Christianity. Though it may look simple to the eye, the symbol is imbued with deep meaning to all Christians. In 1928, the Georgia Marble Company of Tate, Georgia, published a book of monuments titled, Memorials: To-Day for To-Morrow by William Henry Deacy, which describes the symbolism of the Latin cross on a three-step base, “Faith had brought Him to Calvary. The Betrayal, the Trial, the piercing Crown of Thorns, the tortuous road to Golgotha, the cruel weight of the Cross, the hour of Crucifixion—through all these Faith had led Him on. What wonder, therefore, that he Cross of Calvary, instrument of the Passion, has been throughout the ages a memorial of the Faith, the Chosen Symbol?”.

The Latin Cross, however, is not the only symbolism in the monument, which may be lost on many viewers. In this monument, the cross rests on a foundation of three progressively larger stones as a base. Each represents a different virtue—“Faith in the will of God…Hope for the dawn of that yet more glorious day and Charity toward all men.”

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The Fleury Cross

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TIS A HARSH WORLD

IN WHICH AFFECTION KNOWS

NO PLACE TO TREASURE

UP ITS LOVED AND LOST

BUT THE LONE GRAVE.

The cross is one of the most common symbols found in cemeteries. It is a Christian symbol that comes in many different designs with separate meanings often with ancient origins. The cross on this white marble gravestone in the Laurel Hill Cemetery at Philadelphia, Pennsylvania, is called a fleury or floriated cross. What distinguishes this cross are the three-petaled tips at the end of the arms of the cross representing the petals of the lily.

The number three also has significance in Christianity and represents the Holy Trinity—the Father, the Son, and the Holy Ghost. This type of cross was also used in the symbolism of heraldry to represent the virtues of wisdom, faith, and chivalry.

This elaborate version of the fleury cross also has ivy leaves twinning around the gravestone. The ivy traditionally represents friendship. The epitaph coupled with the symbolism of the ivy on this tombstone speaks to the loss of a loved one in word and art.

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Soldier Restored

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On top of one of the rolling hills in Unionville Township in Monroe County, Indiana, there was a tiny rural church, the Pleasant View Baptist Church, long since abandoned by the congregation and torn down. But, next to where the small church stood remains the Pleasant View Cemetery where the family members of the church were laid to rest.

Toward the back of the cemetery nearly in the center stands a proud statue of a World War I soldier, tall and straight, looking forward at parade rest. The doughboy is carved from Bedford limestone, paid for by the boy’s grandmother as a tribute to Thomas Forrest Riddle, the fallen hero. The statue carved by one of the expert Owen County stone carvers stands next to a solid block of granite that has two names carved into the face of the polished red stone:

THOMAS F.

RIDDLE

1895-1919

RAYMOND R.

RIDDLE

1897-1919

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Next to that monument is a small red granite polished stone with the simple inscription:

AMANDA RIDDLE

1897-1919

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These three gravestone are the outline of a family tragedy for the Riddles who farmed and lived in this rural area. Thomas Andrew Riddle and his wife, Elizabeth Angeline, had a big brood of children as farm families did in those days but within one month the Spanish Influenza struck the family killing 3 of their 13 children.

The Saturday February 22, 1919, Bloomington Evening World, ran an headline that tells the story: THREE INFLUENZA DEATHS IN ONE FAMILY ONE MONTH.

The story goes on, “Influenza-pneumonia has already resulted in the death during the present month of their members of the family of Mrs. James Riddle, eleven miles northeast of the city, and two more are still sick with the malady.

Forrest, the 21-year-old son, who returned from service overseas only last Sunday, fell victim last night. His brother Raymond, 21, was buried yesterday. A sister, Miss Amanda, died the first day of February.”

The young soldier came back from the war in apparent good health only to find every member of the family in bed with the plague. He contracted the disease the same say and was so bad from the start that little hope was held out for him. He and his brother Raymond were delirious most of the week and the nurses did not know which one of the boys would be the first to go. The funeral of Forrest will be held at Pleasant View church tomorrow at 10:30 in charge of the Rev. Bayless. Forrest went to war with eight other boys of the same neighborhood, all of whom have returned. The others will set as pall bearers at his funeral. His comrades say he was in two or three big battles and was gassed, being in one of the hospitals in France two months.

The Sunday September 7, 2003 Hoosier Times article by Bette Nunn reported that Thomas Forrest Riddle “enlisted in the Army June 4, 1918. He was assigned to Co. D., 12th Machine Gun Battalion, 4th Division. He saw battle at Chateau Thierry and Argonne forest and became a casualty of war from poison gas.”

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The article also reported that on August 12, 2003, the heroic statue of Thomas Forrest Riddle was vandalized—and badly damaged, smashed into several pieces, his head separated from the body, and broken below his knees. Rightfully the community around the area was outraged and went to action. The statue was mended and the soldier once again stands guard over the graves of Amanda, Raymond, and Thomas Forrest Riddle.

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The Flint Granite Company

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IN MEMORY OF

A FOND FATHER

JOHN LUDIN

DEVOTED HUSBAND OF

AGNES DEMANGEAT LUDIN

BORN SEPT. 24TH, 1827. DIED DEC 13TH, 1903

IN MEMORY OF

A

LOVING MOTHER

AGNES DEMANGEAT LUDIN

WIFE OF

JOHN LUDIN

BORN DEC. 11TH 1821; DIED AUG. 5TH, 1877

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The Ludin family monument in the Green-Wood Cemetery at Brooklyn, New York, features a sarcophagus adorned with a bronze mourning figure.  Sarcophagus tombs are designed to look like coffins.  Most often they are set on a platform or a base.  The tomb is often embellished with ornamentation and nearly always has feet, though this one does not–but the “coffin” is empty–just an empty symbol of the receptacle.  This style of burial monument is ancient. The mourning figure’s head is bent in sorrow. Her head leans against one hand as the other clasps a laurel wreath in the other.   The laurel wreath dates back to Roman times when soldiers wore them as triumphal signs of glory.  The laurel was also believed to wash away the soldier’s guilt from injuring or killing any of his opponents.  In funerary art the laurel wreath is often seen as a symbol of victory over death.

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The monument was pictured in the Flint Granite Company brochure. The brochure describes the monument this way, “A combination of bronze with polished granite permits the acme of achievement, both as to beauty of design and permanence of result. Of course these effects cannot be had cheaply, but they give full value for the cost.”

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The brochure was prepared as an advertisement with pictures of magnificent monuments designed by the Flint Granite Company that highlighted specific monuments from their portfolio of designs.

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This Flint Granite Company catalog and many other gravestone and monument company brochures can be found at the Stone Quarries and Beyond Website: http://quarriesandbeyond.org/cemeteries_and_monumental_art/cemetery_stones.html.

The Stone Quarries and Beyond Website was created by Peggy B. and Patrick Perazzo. It focuses on historic stone quarries, stone workers and companies, and related subjects such as geology. Whenever possible links of finished products are provided on the Website. There is a “Quarry Articles” section that presents articles, booklets, and links from the late 1800s to early 1900s, including the 1856 “The Marble-Workers’ Manual.” The “Cemetery Stones and Monuments” section provides references and resources, including many old monument magazines, catalogs, price lists, and a photographic tour “From Quarry to Cemetery Monuments.”

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Three revolutions around the statue saying his name

Bethel Cemetery, Hymera, Indiana

Bethel Cemetery, Hymera, Indiana

NATHAN HINKLE

BORN JUNE 7, 1749

DIED DEC. 25, 1848

NATHAN HINKLE

REVOLUTINARY SOLDIER

ENLISTED IN LANCASTER CO.

PENN APR. 1776 AND SERVED

2YS 9MS UNDER CAPT. HENRY

CRISP — COL. MILES REG AS A PRI-

VATE PARTICIPATED IN THE

BATTLES OF LONG ISLAND

BRANDYWINE AND PAOLI

Facing the highway at the Bethel Cemetery in the little town of Hymera, Indiana, is the statue of Revolutionary solider Nathan Hinkle. The local legend that has grown up around this proud monument is that you can evoke his spirit by walking around his statue three times saying his name with each revolution—then, Nathan comes alive and speaks back.

The limestone statue depicts a Revolutionary War soldier at parade rest, holding his rifle butt down, but unfortunately, most of the rifle is missing, save for the piece he clutches with his hands. The statue to honor Nathan Hinkle was unveiled on a Fall day in October in 1904, with a cluster of local dignitaries, a Knights of Pythias band, and a crowd estimated at seven thousand. Hymera, at the last Census, had 801 residents—it is hard to imagine that many people assembling for the unveiling today.

As the Sullivan County History details. “The ceremonies of the day centered about the unveiling of a monument to Nathan Hinkle, the Revolutionary soldier who was buried in the Hymera cemetery. About a year before the movement had been started to raise funds for such a memorial, and the subscriptions had been gathered and the monument set in place for this occasion. Hon. James S. Barcus, a great-grandson of the patriot, delivered an address, and Miss Mamie Asbury, a great-granddaughter, assisted in the unveiling. The monument is fifteen feet high, representing a Revolutionary soldier at “parade rest.”

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Salute to the Gray and the Blue

The Gray

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During the Civil War Americans were fighting against Americans. Brothers against brothers—cousins against cousins, every casualty and every fatality was an American. The war tore the country apart and threatened the very existence of the Republic itself.  The war left an edible mark on all who lived through those times. Rightly, town squares, parks, battle sites, and cemeteries throughout the United States pay tribute with monuments to the soldiers that fought to preserve the Union and those who fought to preserve the South and the Confederacy.  Cemeteries often have special sections where the soldiers themselves are buried.  Most of the monuments across the country, whether they be in the North or the South, were funded either by the soldiers themselves or associations created to honor the service of those who wore a uniform—gray or blue.

To honor the 24 Confederate war dead buried in unmarked graves in the Oak Hill Cemetery at Evansville, Indiana, the Fitzhugh Lee Chapter of the Daughters of the Confederacy had erected a monument in 1904. The monument is comprised of two elements—a large polished and matte granite block and a sculpture of Confederate soldier on a large gray granite base.  The granite block has carved on the face:

IN LOVING REMEMBRANCE OF OUR

CONFEDERATE DEAD

1861-1865

On the base of the large granite block is a bronze plaque that reads:

THIS TABLET WAS PLACED ON THIS MONUMENT BY THE UNITED STATES TO MARK THE BURIAL PLACE OF 24 CONFEDERATE SOLDIERS, WHO, WHILE PRISONERS OF WAR, DIED AT EVANSVILLE AND WERE BURIED IN THIS CEMETERY, WHERE THE INDIVIDUAL GRAVES CANNOT BE IDENTIFIED NOW.

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Below that are the names of the 24 soldiers buried in Oak Hill. The statue beside the block a life size replica of a Confederate soldier holding a rifle, butt down.  The soldier is in full uniform and gazes forward in a direct and respectful manner.

The Blue

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Not to be outdone by the Confederate ladies, in 1909, the auxiliary organization to the G.A.R., the Woman’s Relief Corp embarked on a campaign to raise a monument to salute the Union soldiers buried in the Oak Hill Cemetery. There are nearly 600 Union war soldiers buried in Oak Hill Cemetery, many of whom died after the bloody and hard-fought Battle of Shiloh and in the Evansville area hospitals.  The monument honoring the Union soldiers is comprised of a large gray granite marker with a Union soldier standing atop.  The soldier holds his rifle, butt down, as he gazes forward over the graves of the fallen.

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Inscribed on the plinth:

ERECTED

BY THE

WOMAN’S RELIEF CORPS

A. D. 1909

IN MEMORY OF

THE COMRADES OF

FARRAGUT POST NO. 27

DEPARTMENT OF INDIANA

GRAND ARMY OF THE REPUBLIC

1861 — 1865

LOYALTY

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The large section of Civil War soldiers resembles a military cemetery—576 soldiers from 13 states—whose headstones are lined up in rows—are also honored with restored cannons and stacks of cannonballs as part of the tribute paid to their service.

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The Tree of Life

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A bright highly-polished white marble family tombstone in the Elmwood Cemetery at Charlotte, North Carolina, depicts an intricately carved Tree of Life. In funerary art the Tree of Life represents earthly or heavenly spiritual life with its meaning coming from Christian origins. To Catholics the Tree of Life represents the purity of life free from sin before the Fall. According to Saint Albert the Great, if the Tree symbolized Life, the Blood and Body of Christ represented the “fruit”.

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