St. Benedict

Calvary Cemetery, Erie, Pennsylvania

Benedict of Nursia was a devout Christian born circa March 2, 480 and died between 543 to 547.  Spurred by what Benedict saw as increasing immorality of Roman life, he retreated to life as a monk in a cave near the town of Subiaco.  His seriousness and zeal attracted followers and eventually spread.  Eventually he established 12 communities of monks in Italy.

Benedict is most remembered, however, for a book that he wrote as a guide for monks and how they should live their lives called the Rule of Saint Benedict.  The short book is 73 chapters long divided in to two main parts—how to live a life devoted to God and how to manage a monastery.  Benedict even suggests that the day be divided into three equal parts; eight hours for sleeping, eight hours of manual work, and lastly, eight hours devoted to charitable works and reading sacred works.  Eventually his book was used as a model for monastic life throughout Europe.

Benedict was canonized in 1220 in Rome by Pope Honorius III.  St. Benedict is usually depicted in monk’s clothing and cowl holding a crosier or rod.  St. Benedict is the Patron Saint of farm workers, carvers, civil engineers, coppersmiths, spelunkers, schoolchildren, and monks.

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St. Andrew

According to Christian tradition, St. Andrew, like his brother Peter, was born in Bethsaida near the Sea of Galilee, and was also a fisherman, called by Jesus to be a “fisher of men.”  The sculpture of St. Andrew in the columbarium in the Hollywood Forever Cemetery in Hollywood, California, depicts St. Andrew holding a cross saltire, which is an x-shaped cross, also known as crux decussata.  Because the saltire has become so closely associated with St. Andrew it is most commonly known as St. Andrew’s cross.

Early accounts of St. Andrew’s crucifixion describe him tied to a Latin cross, though by the Middle Ages, he is said to have been crucified on the crux decussata.  As Peter did not want to be crucified as Christ had been, tradition tells us St. Andrew requested a different mode, as well, the x-shaped cross, the very cross that has become the symbol of St. Andrew.

In 832, on the eve of a battle in East Lothian, in what is now Scotland, Oengus was leading an outnumbered band of Picts and Scots against a force of Angles.  Oengus prayed for divine intervention.  Oengus vowed if his forces could achieve a victory he would promise to make St. Andrew the Patron Saint of the Scots.  Oengus waited for a sign as the dawn rose the next morning.  In the morning sky he saw clouds gather and form a white saltire.  The battle ensued and though outnumbered, Oengus and his troops were victorious.

According to legend, Oengus was good to his word, not only is St. Andrew is the Patron Saint of Scotland but a white St. Andrew’s cross on a sky-blue background makes the Scottish flag, reminiscent of what Oengus saw that victorious morning.

St. Andrew’s feast Day is November 30.  He is the Patron Saint of fishermen, fishmongers, textile workers, miners, singers, pregnant women, butchers, rope-makers, and butchers.

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St. Peter and the Keys to Heaven

St. Peter, depicted in a statue in the columbarium in the Hollywood Forever Cemetery in Hollywood, California, holds a pair of keys.  The keys are a symbol used to represent the saint and have their origins in scripture, specifically in the book of St. Matthew, King James Bible Chapter 16: verses 16-19:

16:  And Simon Peter answered and said, Thou art the Christ, the Son of the living God.

17:  And Jesus answered and said unto him, Blessed art thou, Simon Barjona: for flesh and blood hath not revealed it unto thee, but my Father which is in heaven.

18:  And I say also unto thee, That thou art Peter, and upon this rock I will build my church; and the gates of hell shall not prevail against it.

19:  And I will give unto thee the keys of the kingdom of heaven: and whatsoever thou shalt loose on earth shall be loosed in heaven.

And it was so, the Lord built His church on St. Peter with St. Peter becoming the very first pope.  In art St. Peter is often shown standing in front of the gates of heaven.  In addition to keys as a symbol for St. Peter, an inverted cross is also used to represent the apostle.  According to the historian Eusebius, St. Peter was crucified upside down because he did not think he was worthy enough to be crucified in the same way as Jesus Christ.  According to tradition, St. Peter bound to a cross upside down, preached the word for two days until he died.

St. Peter was a simple fisherman born in Bethsaida near the Sea of Galilee.  Christ said that St. Peter would be a “fisherman of men.”  St. Peter’s feast day is June 29, shared with the apostle Paul.  St. Peter is the patron saint of fishermen, shipwrights, and stonemasons.

Mosaic from the columbarium in the St. Francis Cemetery in Phoenix, Arizona

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St. Simon the Zealot

St. Simon the Zealot is one of the most obscure of all of the Apostles.  Little is known about him though it is thought that he was born in Judea.  In the Christian tradition, St. Simon is often considered part of an evangelizing team along with St. Jude.  In fact, they share the same feast day—October 28th.  Where the two actually preached the word is not certain—some believe it was Persia, Armenia, or Lebanon, while others believe they proselytized in the Middle East and Africa.  As debated is what eventually happened to St. Simon.  One tradition says that he was crucified in Persia, another makes the claim he died in his sleep peacefully, while another theory says he was martyred by being sawed in half—lengthwise.

The statue of him in columbarium in the Hollywood Forever Cemetery in Hollywood, California, depicts St. Simon with a saw, the symbol he is associated with because of his gruesome method of martyrdom.  St. Simon is the patron saint of curriers, tanners, and, ironically, sawyers.  A sawyer is defined as “one who saws.”

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St. Matthew–the Tax Man

St. Matthew, in this statue found in the Evergreen Cemetery in Phoenix, Arizona, is depicted with a quill and a scroll representing his authorship of the First Gospel.  The statue of St. Matthew also has a small winged figure by his side in this sculpture.  This figure is often thought to be an angel but instead represents all humankind and the possibility that everyone has for divine inspiration.

In the mosaic from the columbarium in the St. Francis Catholic Cemetery in Phoenix, St. Matthew is depicted only as a winged man.  The symbols for the Four Evangelists are mentioned in the King James version of the Bible, Revelation 4:7, “The first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle.”  When the Evangelists are shown together, they are often only depicted with those symbols.

St. Matthew’s feast day is September 21st.  St. Matthew was a Jewish tax collector, which then as now, was a profession that was disliked by most.  It is also the most likely the reason he is the patron saint of tax collectors.  St. Matthew is also the patron saint of bankers, accountants, stockbrokers, and customs officials.

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St. Luke

St. Luke, in this statue found in the Evergreen Cemetery in Phoenix, Arizona, is depicted with a quill and a scroll representing his authorship of the Third Gospel, which emphasizes the sacrificial work of Jesus Christ.  The statue of St. Luke also has an ox by his side in this sculpture.  The ox, an expensive animal, was sometimes used as a sacrifice.  The wings on the ox represent the Gospel of Jesus Christ which has traveled throughout the world.

In the mosaic from the columbarium in the St. Francis Catholic Cemetery in Phoenix, St. Luke is depicted only as a winged ox.  When the Evangelists are shown together, they are often only depicted with the symbols by which they are represented.

St. Luke’s feast day is October 18th.  He is the patron saint of artists, physicians, surgeons, butchers, farmers, bachelors, and picture makers.

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St. John the Divine

The Evergreen Cemetery in Phoenix, Arizona, has many tombs, gravestones, and markers imbued with Christian symbolism. One such monument in that cemetery is a statue of St. John.  St. John, who wrote the Fourth Gospel, three Epistles, and the Book of Revelation.  Because of these influential writings St. John is often referred to as John the Divine.

St. John is often depicted with a quill and a book representing his authorship of the Fourth Gospel.  He is also depicted as an eagle or standing with an eagle at his side.

In the mosaic from the columbarium in the St. Francis Catholic Cemetery in Phoenix, St. John is depicted as an eagle.

St. John’s feast day is December 27th.  He is the patron saint of authors, editors, and all publishing professionals, “theologians, painters, engravers, art dealers, and victims of burns and poisonings.”

 

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St. Mark, the Winged Lion

The Evergreen Cemetery in Phoenix, Arizona, has many tombs, gravestones, and markers imbued with Christian symbolism. One such monument in that cemetery is a statue of St. Mark.  St. Mark, who wrote the Second Gospel, is often depicted with a quill and a book representing his authorship of the Gospel.  He is also depicted either as a winged lion or with a lion.  This statue portrays him with a quill, book, and a winged lion at his feet.

Some Christians refer to St. Mark as “Saint Mark the Lionhearted” in keeping with the legend of him being thrown into a pit of lions.  Instead of the lions devouring St. Mark, they sublimated themselves at his feet.

In the mosaic from the columbarium in the St. Francis Catholic Cemetery in Phoenix, St. Mark is depicted as a winged lion. The emblem refers to Christ’s power and regal dignity.

St. Mark’s feast day is April 25th.  He is the patron saint of notaries, lawyers, glassblowers, stain-glass window makers, the imprisoned, and sufferers from insect bites and those who suffer with goiters.

St. Mark depicted as a winged lion has become the symbol of the city of Venice, Italy.

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Her Soul Takes Flight with an Angel

St. Francis Catholic Cemetery, Phoenix, Arizona

Elisabeth L. Roark wrote an article about angels titled, “Embodying Immortality: Angels in America’s Rural Garden Cemeteries, 1850—1900”, pages 56 – 111, 2007 edition of Markers, XXIV, in which she wrote Catholics had embraced the concept of angels but Protestants were slow to. That changed in the second half of the 19th Century. She explains that there was an “invasion” of angels in rural garden cemeteries, which were for the most part Protestant graveyards. Roark explains in the article that Protestants accepted the concept of angels because they not only expressed a message of consolation but were also utilitarian—these angels performed tasks.

According the article, angels come onto the scene in rural garden cemeteries in a big way starting in 1850 and then throughout the rest of the century. Though angels come in many variations and forms, in her study of 14 rural cemeteries from each region of America, Roark found that the majority of angels fall into the following eight categories:

  1. Soul-bearing Angels
  2. Praying Angels
  3. Angels who decorate and watch over the grave
  4. Pointing angels
  5. Recording angels
  6. Trumpet angels
  7. Michael the archangel
  8. Child angels

In this example, a soul-bearing angel holding a woman by her side both with flowing gowns is carved into the white-marble .  In this category of angels, the angels are depicted carrying the soul to Heaven. In most of the examples the author found, the angels were carved in bas-relief because of the complexity of carving them in the round.  This intricately carved monument depicts the soul as a young woman.

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Help!

In Victorian times, flowers took on significance as a way to send coded messages; this was known as floriography from the Latin combining flora—“goddess of flowers” and graphein—“writing”.  Each flower had a meaning that was conveyed to the viewer or receiver of the flower or bouquet of flowers—the lily of the valley represented humility, the coral rose represented desire and passion, the white lily represented purity, and so on.

I took a large number of photos in the Mount Auburn Cemetery in Cambridge, Massachusetts.  Unfortunately, I cannot identify some of the flowers.  Please reply and leave the number on the picture and the flower you believe it is in the reply.  Then I can write about the meaning of each.  Let me know if you can identify any of the following:

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